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index.html 15:13
también me enamoré
sentado en la alfombra
recargado en el sillón 06:48
dbase ]ish[ and dj mark(UK), SalaKAbala(Finland) will be playing future
sounds of progressive tech trance in 'Paradiso'>>
Anjuna beach goa on the 4th of april, Sunday..>> and
in '9 bar' on 11th of april.on easter Sunday<<
So come over to goa for a journey through the wide spectrum of psy trance... will be trying to put together a live set with Percussions,
guitars and other stuff if things fall into place..
boom
>>ish
13:04
es una nostalgia bienvenida en un día en el que por primera vez sentí que de alguna manera ya había visto demasiado tiempo con estos ojos. 14:07
al otro día llegó por nettime-ann un mensaje sobre un proyecto que organiza groys.
al otro día del otro día llegó por nettime-lat algo sobre netart mexicano que había escrito el maestro de bombero.
una semana después pasé a visitar a bombero al cnart. comimos y me pasó las copias.
es obvio que groys no va a hablar directamente de mario pero por si quedaba la duda, lo recalco aquí. 14:08
así que no veo para qué redundar aquí hablando de algo que apenas conozco. mejor pongo la liga a ilya kabakov. a quien acabo de descubrir mal fotocopiado. <click> 15:05
+-------------+
| qwertyuiop |
| asdfghjkl |
| zxcvbnm |
+----------+ 02:52
thread*
15:21An Open Letter to Jan Philipp Reemtsma, Regarding His "Intellectual Property"
Jan Philipp Reemtsma
Hamburg Foundation for the Advancement of Science and Culture
Mittelweg 36
20148 Hamburg/Germany
Dear Jan Philipp Reemtsma,
you are a man of immense wealth - a wealth that is not limited to the material world, but stretches far into the realm of the intellectual. You have founded and are continuously funding a number of institutions and archives that claim to serve the public by advancing both scientific research and cultural expression. Today, we have to notify you that, just as your material riches are about to increase by another few thousand Euros, you have irrevocably lost the rights to some of your most precious pieces of "intellectual property".
As you, as its president, must be aware of, the Hamburg Foundation for the Advancement of Science and Culture has sued - and obtained a preliminary
injunction against - the owner of textz.com, who, according to your lawyers,
Senfft, Kersten, Voss-Andreae and Schwenn, has caused your foundation damages of more than 2,300 Euros by making available for download two essays by Theodor W. Adorno. Even though textz.com, by never paying or even acknowledging these fictitious damages, has given you sufficient time to realize your mistake, you have filed for and obtained a warrant of arrest against - the still undefended -defendant.
Jail time for copying Adorno: that's where you have crossed the line that separates ordinary copyright cases from extraordinary tales of copyright madness - despite, and maybe just because, the formal correctness of your procedure. As an "intellectual proprietor" of Theodor W. Adorno and Walter Benjamin, you should be aware of the power that still emanates from their works: a negative, dialectical, weak and historical power that stretches far beyond the reach of any court of law, and that it impossible to contain in any of your archives. "Intellectually", Adorno and Benjamin will always escape the idea of becoming private property, and their works, even as the commodities they have become, have a peculiar tendency to vanish the very moment you try to get hold of them.
The question of "intellectual property" is not if the producers of creative works should be denied their right to material reproduction through their creative work, or if the temporary owners of such works should be hung by the guts of their lawyers. The question of "intellectual property" is when it will finally be acknowledged that the people have a universal right to the reappropriation of the means of production, that creative works - however privatized and commodified they may have become - are a such means of production, and that their reproduction ist a fundamental and fully legitimate form of production itself.
Even confronted with today's draconic laws against digital reproduction - the state of permanent emergency and institutionalized panic that is the "war against piracy" - people have never ceased to copy, paste, modify, save, upload, download, print and share digital data. In the case of "intellectual property", the power of the factual exceeds by far the power of the law. The people are perfectly aware of the historical fact that no law is ever just given. Law is created though factual struggle, and it erodes through factual struggle. Thus, the critique of "intellectual property" cannot remain individual, sporadic and theoretical - it has to become swarming, massively parallel, and practical.
We are glad to announce that, effective today, every single work by Adorno and Benjamin that you claim as your "intellectual property" has become part of the very public domain that had granted you these copyrights in the first place. Of course they will not be available instantly, and of course we will not publish them ourselves - but you can take our word that they will be out, in countless locations and formats, and that not even a legion of lawyers will manage to get them back. Maybe it helps if you think of your "intellectual property" as a genie, and of your foundation as a bottling business.
We like non-fiction, and we live in fictitious times. We live in a time where we have fictitious "intellectual property" laws that serve fictitious copyright holders. We live in a time where we have fictitious private institutions that are going to war against piracy for fictitious reasons. Whether it's the fiction of rights management or the fiction of intellectual theft - we are against this war, Mr. Reemtsma. Shame on you, Mr. Reemtsma, shame on you. And any time you got the Arts and the Sciences against you, your time is up.
Thank you very much,
The Berlin Foundation for the Advancement of Production and Reproduction
a.k.a.
A.S.Ambulanzen
Berlin/Germany
February 24, 2004
P.S.: We know that German Neo-Fascists have attacked you numerous times for the exhibition on the crimes of the German Wehrmacht, curated by your Hamburg Institute for Social Research, and that they continue to defame you as the "heir of a tobacco company", which not only, and in the first place, perfectly fits an anti-semitic cliché, but also resonates, in many of these defamations, with hints to your "personal responsability for the death of millions of smokers". Please be assured that - even though we don't share your opinion that said exhibition was a "success", and even though tobacco may be just another commodity that kills - we, as a group of smokers who know the Germans and their history, are on your side, no matter what, in defense of society against Fascism. If you side with us in defense of wealth against scarcity is an entirely different question - but we bet that one day you will. 21:24
Think That you grew Stronger there Speak Your trouble(s) She's not sc(ared) Soft like there's silk Everywhere Sleep (is a) pillow Come ___ ____ Where she won't dare Anyway (where) (Look) In the mirror She's not there Where she won't care Somewhere Loomer Tiptoe down To the holy places Where you going now Don't turn around Little girls In their party dresses Didn't like Anything there Pretty boys With their sunshine faces Carrying their Heads down Tiptoe down To the lonely places Where you going now Don't turn around To Here Knows When Kiss Your fear Your red button Falls from my mouth Slip Your dress Over your head It's been so long Move On top Because that way You touch her too Turn Your head Come back again To here knows when When You Sleep When I look at you Oh, I dont know what I feel Once in a while And you make me laugh And I'll sleep tomorrow And it won't be long Once in a while Then you take me down When you walk away When you say "I do" Oh, but I don't believe in you I can't forget it No...oooh When you sleep tomorrow And it won't be long Once in a while When you make me smile When you turn your long blonde hair I Only Said See there run away you said To go you were it, you were it To lay underneath the red sky there To lay under her, I want her there See you there, under her, and under To go you were there and I'm slow To lay over her and I'm slow, oh To lay under her, I've grown away, oh Come In Alone Come in alone You'll love To let go And I'll turn You around When your hopes Gave me doubts __ ____ Why I don't need To believe What you see To look up And around You were gone (Words came out) To a sound Feel I'm alive You will see (Why I'm alive) Felt like crying Over her I will go To ____ ___ f___ s___ Sometimes Close my eyes Feel me now I don't know how you could not love me now You will know, with her feet down to the ground Over there, and I want true love to grow You can't hide, oh no, from the way I feel Turn my head Into sound I don't know when I lay down on the ground You will find the __ __ hurts to love Never cared, and the world turned hearts to love We will see, oh now, in a day or two You will wait See me go I don't care, when you're head turned __ _ __ You will wait, when I turn my eyes around Overhead when I hold you next to me Overhead, to know the way I see Close my eyes Feel me now I don't know, maybe you could not hurt me now Here alone, when I feel down too Over there, when I await true love for you You can hide, oh now, the way I do You can see, oh now, oh the way I do Blown A Wish Midnight wish blow me a kiss I'll blow one to you Make like this Try to pretend it's true Show me all your favorite things Show you all mine too Make a wish I'll give it all to you Hold on to your promises Hold on to mine too Caught like this I'll turn it in with you Fall apart my bleeding (beating) heart Nothing left to do Once in love I'll be the death of you What You Want What I do I say But I can't get far away Oh, I go back to A memory again What you want But you know that I'm alive Then I'll go back to you Don't you know (what I) feel inside When you (come down) blue But I do, I do, I do Oh, I come back to The one who calls my name out What you want Don't you know that I can smile Then I go back to you And then you make (him go inside) Turn around and smile (No) they can't see through your eye Could I fall into __ _ talk __ __ Come back down __ _ __ _ __ my mind Then (it) surrounds you Don't you know that I have st___ When you (come down) blue But I do, I do, I do Oh, I come back to The one who calls my name out What you want Let me know that I'm alive Then I go back to you And then you make (him go inside) Soon Wake up Don't fear I want to Love you Yeah don't go there I let you get to me Yeah yeah Come back Don't be Afraid of me Soon That (I'll harm you) Your eyes are blue Blue jewels Yeah yeah Come back Have faith Someone like you Can find the reason Of what I did to you Yeah yeah Wake up Don't fear I want to Love you Yeah don't go there I let you get to me Yeah yeah no copyright 2004 textz.com 21:27
el buss como gait or accent.
primer beso eternal mental buss.
bussing piñón helado codornices y rosas.
tiny primavera busses from&on óxido cheeks 09:43
buss \BUS\, noun:
A kiss; a playful kiss; a smack.
transitive verb:
To kiss; especially to kiss with a smack. 09:48
rapport \ra-POR; ruh-\, noun:
A relation, especially one characterized by sympathetic
understanding, emotional affinity, or mutual trust. 01:57
aparentemente rapport.
|||||mi rapport w/hope.
+mi rapport con la peli que vimos hoy. 02:12
soi-disant \swah-dee-ZAHN\, adjective:
Self-styled; so-called. 22:55
soi-disant suavizante.
soi-disant, self-styled y recursivos. 23:34
abeyance \uh-BAY-uhn(t)s\, noun:
Suspension; temporary cessation. 14:50
light-like instantánea abeyance of anything.
un mililitro de no sólo digital spam abeyance. 14:59
galvanic \gal-VAN-ik\, adjective:
1. Of, pertaining to, or producing a direct current of
electricity, especially when produced chemically.
2. Affecting or affected as if by an electric shock;
startling; shocking.
3. Stimulating; energizing. 14:49
galvanic mensajito mobile buttons.
subjected to prisa's galvanic presión.
galvanic teenage raperit* remembrance.
suffering from galvanic blue html noches.
marmalade frascos full of galvanic blue&strawberry besos.
to everyday make use of nuestra galvanic mensajito reception. 15:11
obstreperous \uhb-STREP-uhr-uhs; ob-\, adjective:
1. Noisily and stubbornly defiant; unruly.
2. Noisy, clamorous, or boisterous. 11:10
multitasking obstreperous clicas.
el murmullo de las obstreperous multitudes.
the mapping of obstreperous df microbus networks. 11:11
gustatory \GUS-tuh-tor-ee\, adjective:
Of or pertaining to the sense of taste. 22:46
i was introduced to a gustatory sur de la ciudad.
jitomate and its gustatory spaghetti applications. 22:46
penury \PEN-yuh-ree\, noun:
1. Extreme poverty; destitution.
2. Absence of resources; insufficiency. 23:38
no nos vendría mal una penury of frustration.
fuimos de opulencia a penury casi instantaneamente.
miembros honorarios de la penury experts foundation. 23:39
abrogate \AB-ruh-gayt\, transitive verb:
1. To annul or abolish by an authoritative act.
2. To put an end to; to do away with.
mi padre, every chance he gets, abrogates me.
i was trying to abrogate esta sensación rara.
es la promesa que no ha cumplido, de abrogate boredom.
alguien abrogated mi contrato con la uni el año pasado. 15:07
del aeropuerto fuimos a lindavista. en lindavista nos separamos en dos distintas cenas.
hace rato regresé en metro a lindavista. había residuos de fiesta por todos lados. el cielo estaba particularmente contaminado.
l*s (poc*s) que estaban en la calle apenas regresaban de la fiesta. uno olía a alcohol y me preguntó donde quedaba una estación de metro obvia. uno flaquillo pasó vociferando. otros hablaban de asaltar a otro de zapatos negros que caminó más adelante.
pensé que allá sí hay un como permiso generalizado de tomarse las cosas en serio.
tb hay constantes de aquí y allá. una somos nosotros. otra es el metro. sentí que habíamos hecho el trayecto parís-df en un vagón de metro. 16:35
http://www.w3schools.com/downloadwww.htm 04:50
To: "nettime-latino"
Sent: Thursday, September 11, 2003 11:49 AM
Subject: [nettime-lat] este viernes park fiction.
delete.tv y ciberfeminista.org les invitan este viernes 12 de septiembre del
2003 a las 8pm, a una conspiración pública con
Park Fiction http://parkfiction.org (Hamburg)
se proyectarán los films:
Revolution Non Stop (20 min.), de Christoph Schäfer
Park Fiction - desire will leave home and take to the streets (60 min.) de
Margit Czenki.
al terminar habrá una discusión con Margit Czenki y Christoph Schäfer,
quienes hablarán de urbanismo, la apropiación de ciudades, espacios públicos
y de sus proyectos como el reciente congreso 'unlikely encounters in urban
space', entre otros.
viernes 12 de septiembre del 2003
en cafeína lab (aka la casa de cindy flores y fran ilich) en la col. roma
norte. para quienes no saben llegar, favor de enviar un email y les enviamos
la dirección exacta.
gracias a fllanos.com por el videoproyector, a 11+11=22.blogspot.com por el
audio, y a doloryviceversa.com y ruidos de la calle por su apoyo.
[son bienvenidas bebidas y botanas].
_______________________________________________
Nettime-lat mailing list
Nettime-lat@nettime.org
http://amsterdam.nettime.org/cgi-bin/mailman/listinfo/nettime-lat 20:20
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Post Date: mié sep 10, 03:20:23 PM
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Post Date: mié sep 10, 03:21:46 PM
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el mejor que conocí 12:07
homes/11+11=22.html
archives/2003_08_31_11+11=22_archive.html
archives/11+11=22_archive.html 12:09
en una bolsa de papel café 12:11
homes/11+11=22.html
archives/2003_08_31_11+11=22_archive.html
archives/11+11=22_archive.html 12:12
no recordé bien 12:13
homes/11+11=22.html
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archives/11+11=22_archive.html 12:15
simonellaesmiamiga ylediunbonchedezinescuandoestuvoacaentj
oraletienesalgunmaterialquepodamos intercambiar ?
mmh noenverdadnotrajenada
casinohehechozinesyesomeheclavadoenondatipo blogylistasdecorreomasbien
perositienesalgoigualestariacoolllevarloal dftemandoalgoderegresoonose
hoyhabraunaexposiciondefotoenel icbc
ahi estare
sabesdonde es?
nono se 17:24
Some things are just pictures, they’re scenes before your eyes. Don’t look now, I’m right behind you. 17:25
chriguesa( 16) EUR 25,00 20.08.03 17:23:16 MESZ
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pokepipe( 376) EUR 1,00 15.08.03 20:11:51 MESZ 12:11
de veras? 23:50
well, i'm here because i'm
searching the internet looking
for the
song that kyoko's character
sings in kitano takeshi's
'dolls'. I
don't know if it is her who
sings it or if another singer
does. But
as in the film OST there's no
vocal song (all of them are
instrumental) I have to resort
to other means, like this one.
Could
anyone help me, pleasee!!
And by the way, she is one of the most beautiful japanese girls i've
ever seen! 23:54
that the name of the song is
"kimi no hitomi ni koishiteru",
and is sung by kyoko herself.
That's all the info I have for
now..
Michelle 23:54
youareamarillonaranja!
(http://www.beingirma.blogspot.com)
youareaveryeasygoingcolorcoordinatednormalfoodtalkinggirliepoliteblog
goyou!
whichmexicanblogareyou?
%e A080080 .............1
%e A080080 ...........0...1
%e A080080 .........2...1...1
%e A080080 .......0...0...0...1
%e A080080 .....1...0...3...1...1
%e A080080 ...0...2...2...1...1...1
%e A080080 .3...2...2...1...2...1...1. 16:33
%e A072233 Table begins (upper left corner = T(0,0):
%e A072233 1 1 1 1 1 1 1 1 1 ...
%e A072233 0 1 1 1 1 1 1 1 1 ...
%e A072233 0 1 2 2 2 2 2 2 2 ...
%e A072233 0 1 2 3 3 3 3 3 3 ...
%e A072233 0 1 3 4 4 4 4 4 4 ...
%e A072233 0 1 3 5 6 7 7 7 7 ...
%e A072233 0 1 4 7 9 10 11 11 11 ...
%e A072233 0 1 4 8 11 13 14 15 15 ...
%e A072233 0 1 5 10 14 17 19 20 21 ...
%e A082601 Triangle begins:
%e A082601 1,
%e A082601 1,0
%e A082601 1,1,0
%e A082601 1,2,1,0
%e A082601 1,3,3,0,0
%e A082601 1,4,6,2,0,0
%e A082601 1,5,10,7,1,0,0
the
way
in
which
an
object
or
a
space
may
be
invested
with
memory
or
meaning
that
is
fragmentary
and
is
threatened
with
dissolution
by
the
tyranny
of
history’s
onward
march
.
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 6:55 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 6:57 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 6:59 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:01 PM.]
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[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:08 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:13 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:18 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:23 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:28 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:33 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:38 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:03 PM.] 14:16
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 6:56 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 6:59 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:02 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:05 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:08 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:11 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:14 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:17 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:20 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:23 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:26 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:29 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:32 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:35 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:38 PM.]
[Mail to es*s bloggers¡ ][created by 11,22][on July 16, 2003 at 7:41 PM.] 14:16
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ cd
bash: cd: /home/becarios/algebra/marasmo: No such file or directory
bash-2.05a$ 03:36
| sshd2: WARNING: Could not chdir to home directory /home/becarios/algebra/marasmo: No such file or directory Last login: Wed Dec 31 1969 18:00:00 -0600 from No mail. bash-2.05a$ ls |
t t t t t t t t t t t t t t t t t t t t t t t t t t t t t
t t t t t t t t t t t t t t t t t t t t t t t t t t t t t
t t t t t t t t t t t t t t t t t t t t t t t t t t t t t
t t t t t t t t t t t t t t t t t t t t t t t t t t t t t
t t t t t t t t t t t t t t t t t t t t t t t t t t t t t
t t t t t t t t t t t t t t t t t t t t t t t t t t t t t
t t t t t t t t t t t t t t t t t t t t t t t t t t t t t
t t t t t t t t t t t t t t t t t t t t t t t t t t t t t
t t t t t t t t t t t t t t t t t t t t t u t t t t t t t
t t t t t t t t t t t t t t t t t t t t t t t t t t t t t
t t t t t t t t t t t t t t t t t t t t t t t t t t t t t
t t t t t t t t t t t t t t t t t t t t t t t t t t t t t
t t t t t t t t t t t t t t t t t t t t t t t t t t t t t
(revista)
-_
-_
-_
-_
-_
-_
-_
-_
-_
-_
-_
-_
-_
-_
-_
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-_
-_
-_
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-_
-_
-_
\}
Resultados para proceder a la entrevista: 5 de junio. 17:32
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> ..ia.e.....e.u.aie...o.e...a.eiu...e...a.e..io.e.u
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> ie.u...e...a.ei..o.e.u.a.e..i..e...a.e.u.oie...a.e
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> .aie.u.o.e...a.ei....e.u.a.e..io.e...a.e.u..ie...a
> .e...o.eiu.a.e.....e..ia.e.u.o.e...aie.....e.u.a.e
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> .ei....e...a.e.uio.e...a.e....ie.u.a.e...o.ei..a.e
> .u...e..ia.e...o.e.u.aie.....e...a.eiu.o.e...a.e..
> i..e.u.a.e...oie...a.e.u...ei..a.e...o.e.uia.e....
> .e...aie.u.o.e...a.ei....e.u.a.e..io.e...a.e.u..ie
> ...a.e...o.eiu.a.e.....e..ia.e.u.o.e...aie.....e.u
When Dolby stereo became more prominent, a projectionist explained to me that a central seat was better in order to hear all six channels, so I've moved back a few rows.... 11:30
>that a central seat was better in order to hear all six channels, so I've
>moved back a few rows....
Six channels? Left, right, center and surround make four channels. 11:30
make six.
-----Original Message-----
From: Peter Haglund [SMTP:haglund@SDF-EU.ORG]
Sent: Monday, May 19, 2003 11:14 AM
To: FILM-PHILOSOPHY@JISCMAIL.AC.UK
Subject: Re: FIlmgoing habits
RGHunt57@AOL.COM wrote:
>When Dolby stereo became more prominent, a projectionist explained
to me
>that a central seat was better in order to hear all six channels,
so I've
>moved back a few rows....
Six channels? Left, right, center and surround make four channels. 11:31
un escarabajo 13:16
un bicho 13:17
un alacrán 13:17
I'm very sorry but we are all sold out of Just In Tokyo. The title hopefully will be returning this fall.
-gk darby
garrett ct. press
http://www.gcpress.com/ 15:31
>
>i'm writing about "just in japan"
>
>i live mexico city and wanted to ask:
>
>-how much would a copy of "just..." cost me, including shipping and
>handling?
>-can i pay you in cash?
>
>all best,
>
>ivan 15:32
Intento de marcado 1.
Marcando... 11:27